Critic's Rating 3.5/5
Gripping thriller Story: ACP Vishnu Kamath (Abhishek Bachchan) had hit rock bottom in his career and his personal life, when he suddenly gets a second chance at redemption. He is given the prestigious, yet dangerous mission of cleaning up Goa of its all-pervasive illegal drug mafia. Pitted against the powerful drug lord Lorsa Biscuta (Aditya Pancholi), a corrupt police department and a host of innocents trapped in the trade -- Bipasha and Prateik Babbar -- will the diehard cop succeed in this operation? He does find welcome help from the local DJ, Joki (Rana Daggubati) who wants to extricate the innocents, specially his girlfriend Zoey (Bipasha Basu) from the dragnet.
Movie Review: There's something about Abhishek Bachchan and his cop act. It always works, unlike most of his other screen avatars. Till date, Dhoom remains one of his most memorable performances, where his savoir faire as the sassy policeman stood up commendably to the charisma of the bad guys, John Abraham and Hrithik Roshan. Dum Maaro Dum reiterates the fact that Abhishek seems to be a natural charmer when it comes to slipping into the shoes of a quintessential somewhat crooked-somewhat straight cop. His body language, his dialogue rendition, his lazy zeal and laidback attitude, adds a cutting edge to the character of ACP Vishnu Kamath, Goa's desi Bruce Willis (Diehard) who plays the game according to his own rules.
And Abhishek isn't alone in crafting a host of riveting characters who lend a special cadence to the film. There is Prateik Babbar and Anaitha Nair's teen love story that goes awry, once Prateik gets embroiled in illegal activities. There is Bipasha Basu and Rana Daggubati's bindaas beach romance that lights up the screen intermittently. There is Mafioso Aditya Pancholi and his mean guy act which flashes fire and brimstone. And there is the cop camaraderie between Abhishek and his team that adds substance to the proceedings. All the characters are credible and immensely watchable.
Further more, there is the stylization of the film and its dramatic narration that makes it a compelling watch. The film slags in places and needs tightening, but the lull is followed by a tangy twist in the tale, which makes up for the occasional yawn. Shridhar Raghavan writes a thrilling cops and robbers tale which has some quirky banter scripted by Purva Naresh. Add to this Goa captured in glowing colours by cinematographer Amit Roy and a peppy music score by Pritam, and director Rohan Sippy gives you a film that keeps the popcorn crackling, till the very end. So much so, you don't actually mind the `potty' lyrics, as Deepika Padukone adds a dusky sheen to them with the Deepika shake. Of course, there's Vidya Balan too, with her winning smiles, in a brief cameo, proving once again that she's the most in-sync co-star for Abhishek Bachchan. Remember Paa?
This one's complete paisa vasool fare.
A word about:
Performances: Abhishek's a cool cop, Rana Daggubati makes a dashing debut, Prateik Babbar's credible, Bipasha Basu still smoulders and Aditya Pancholi is an interesting bad guy.
Direction: Rohan Sippy tells a zippy story, packaging it with the right twists and turns.
Story: Shridhar Raghavan is on familiar ground, with flair.
Dialogues: Purva Naresh scripts interesting conversations amongst the sundry characters.
Cinematography: Amit Roy captures Goa with its grandeur and grime.
Music: Midival Punditz pitches in an eclectic background score and Pritam Singh creates some peppy numbers.
Choreography: Deepika Padukone's title track simmers, despite the questionable lyrics.
Resource: http://timesofindia.indiatimes.com/entertainment/movie-reviews/hindi/Dum-Maaro-Dum/moviereview/8046811.cms
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